natalie moore

Since 1987, several solo exhibitions of Natalie Moore’s installation work have been presented, including the following: 2002, Terrain, WALLSPACE, New York, NY; 1998 recent work, art Moving, Brooklyn; 1992, 80 Washington Square East Galleries, NYU, NYC; 1987, University of California, Santa Cruz.

Moore’s work has been acknowledged with the following honors and awards: 1997 Award of Distinction, Jennifer Blessing, Curator, Guggenheim Museum, NYC, for the Barrett House Galleries; 1992 “Artists in the Marketplace” program participant, Bronx Museum of the Arts; 1991 Artists Space Grant; Centennial Scholarship Grant, NYU; 1987 President’s Undergraduate Fellow, University of California, Santa Cruz.

Writing about Moore’s work: Harrison, Hellen, “When Line Itself Is the Main Attraction,” The New York Times, May 11, 2003; Greben, Deirdre, “An Exercise in Reading Between the Lines,” New York Newsday, April 25, 2003; Shaw, Karen, “Line Dancing,” exhibition catalog, Islip Art Museum, Islip, NY, 2003; Johnson, Ken, “Subtle,” The New York Times Art Guide, November 30, 2001; “The Art Club”, Featured Artist, CNN International, December 17, 1998; Hamburger, Susan, “Artburgher,” Waterfront Week, December 17, 1998; Smith, Roberta, “Natalie Moore,” The New York Times Art Guide, November 13, 1998; Smith, Roberta. “In Brooklyn, A Haven for Struggling Galleries Is Heating Up,” The New York Times, December 6, 1998; Featured Artist, “Artists, Images, New York” Manhattan Cable TV, 1990.

Additionally Moore has been active as an instructor and gallerist. Selected positions and projects include: Adjunct Instructor, Pratt Institute, Brooklyn 1998-current; Co-founded, curated, and operated SAUCE Gallery, Brooklyn, NY 1992-1996; Artist / Teacher, Learning Through an Expanded Arts Program, NYC 1993-1995; Teacher, New York State Summer School for the Arts, SUNY Fredonia, NY 1994

Moore has worked as an Art Director in the interactive media field since 1995. CD-Rom projects include The X-Files Unrestricted Access, Scientific American: Illusion, John Steinbeck’s The Pearl and The Red Pony. Websites include clients such as The Association of Art Museum Curators, The Hale House, Nokia, Fresh Kills: Landfill to Landscape, Sprint and the Guggenheim Museum. Video editing and production for the Guggenheim Museum: Day without Art and The Hale House 35 years of Caring.

Moore received a MA Studio Art, NYU in 1992 and BA Fine Art, from University of California, Santa Cruz. She studied at the Paris-American Academy, Paris, France 1985-1986.